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Transportation on the island is good, with public taxis, called "ZRs" (pronounced "Zed-R")s, traveling to most points on the island. These public taxis as they are known can at times be crowded, but will usually take the more scenic routes to destinations. These buses generally depart from the capital Bridgetown or from Speightstown in the northern part of the island.

Slavery in Barbados was finally ended in 1838, and newly-emancipated blacks celebrated with instruments including drums and horns, as well as banjos, tambourines and xylophones. Still, however, the use of horns and drums was discouraged, leading to the primacy of vocal music; at the same time, new Protestant churches from North American moved into the island, bringing with them American parlor music, cowboy songs and revivalist hymns.

Traditional trading partners include: Canada, the Caribbean Community (especially Trinidad and Tobago), the United Kingdom, and the United States.

Since achieving independence in 1966, the island nation of Barbados has transformed itself from a low-income economy dependent upon sugar production to a middle-income economy based on tourism. The economy went into a deep recession in 1990 after 3 years of steady decline brought on by fundamental macroeconomic imbalances. After a painful readjustment process, the economy began to grow again in 1993. Growth rates have averaged between 3%-5% since then.

Though inhabited prior to the 16th century, little is known about Barbadian music prior to the arrival of the Portuguese in 1536 and then the English in 1627. The Portuguese left little influence, but English culture and music helped shape the island's heritage. Irish and Scottish settlers emigrated in the 17th century, working in the tobacco industry, bringing yet more new music to the island. The middle of the 1700s saw the decline of the tobacco industry and the rise of sugarcane, as well as the introduction of large numbers of African slaves. Modern Barbadian music is thus largely a combination of English and African elements, with Irish, Scottish, and modern American and Caribbean (especially Jamaican) influences as well.

The three political parties of Barbados--the Barbados Labour Party (BLP), the Democratic Labour Party (DLP), and the National Democratic Party (NDP)--are all moderate and have no major ideological differences; electoral contests and political disputes often have personal overtones. The major political problems facing Barbados today are in promoting economic growth: creating jobs, encouraging agricultural diversification, attracting small industry, and promoting tourism.

Barbados is divided into eleven parishes: Christ Church, Saint Andrew, Saint George, Saint James, Saint John, Saint Joseph, Saint Lucy, Saint Michael, Saint Peter, Saint Philip, and Saint Thomas.

In the 1980s, jazz decline dgreatly in popularity, though saxophonist Arturo Tappin organized the International Barbados/Caribbean Jazz Festival, while other performances were organized by a group called the Friends of Jazz. More jazz calypso fusion musicians appeared on the scene during this period, including Janice Robertson and her Trinidadian husband Raf

The start of the Port Charles Marina project in Speightstown helped the tourism industry continue to expand in 1996-99. Offshore finance and informatics are important foreign exchange earners, and there is also a light manufacturing sector. The government continues its efforts to reduce the unacceptably high unemployment rate, encourage direct foreign investment, and privatize remaining state-owned enterprises.

The island is divided into 11 parishes and the city of Bridgetown for administrative purposes. There is no local government. Barbados' defense expenditures account for about 2.5% of the government budget.

From the arrival of the first British settlers in 1627-1628 until independence in 1966, Barbados was under uninterrupted British control. Nevertheless, Barbados always enjoyed a large measure of local autonomy. Its House of Assembly began meeting in 1639.

With independence in 1966 came a focus on black Barbadian culture, and music like calypso, reggae and spouge, rather than the preoccupation with British standards of musical development. Calypso jazz arose during this period, pioneered by groups like the Schofield Pilgrim. The genre had developed by 1965, when original works like "Jouvert Morning" and "Calypso Lament" were composed. Artists like the pianist Adrian Clarke became popular during the 60s as well.

Economic growth has led to net increases in employment in the tourism sector, as well as in construction and other services sub-sectors of the economy. The public service remains Barbados' largest single employer. Total labor force has increased from 126,000 in 1993 to 140,0000 persons in 2000, and unemployment has dropped significantly from over 20% in the early 1990s to 9.3% at the end of 2000.

Barbados is home to spouge music, which is played on guitars, mandolins and drums, but is best known as a second home for Trinidadian calypso and soca, as well as a reggae/soca fusion called ragga-soca. The 1974 revival of the Crop Over Festival, which features the Pic-O-De-Crop Calypso Competition, revitalized and organized the Barbadian calypso scene. Beginning in the mid-1980s, Barbadian artists like Spice, Gabby and Red Plastic Bag became popular in Trinidad and elsehwere, leading the way for a more fully-developed Barbadian sound (often characterized by Eddy Grant's Ring Bang pan-Caribbean fusion rhythm that arose around 1994) and was popularized by groups like Square One and krosfyah. Barbados is, along with Cuba, Puerto Rico, Trinidad and the Virgin Islands, one of the few centers for Caribbean jazz.