Barbados Tourism Authority Sources of barbados tourism authority resources from the Web

The start of the Port Charles Marina project in Speightstown helped the tourism industry continue to expand in 1996-99. Offshore finance and informatics are important foreign exchange earners, and there is also a light manufacturing sector. The government continues its efforts to reduce the unacceptably high unemployment rate, encourage direct foreign investment, and privatize remaining state-owned enterprises.

With independence in 1966 came a focus on black Barbadian culture, and music like calypso, reggae and spouge, rather than the preoccupation with British standards of musical development. Calypso jazz arose during this period, pioneered by groups like the Schofield Pilgrim. The genre had developed by 1965, when original works like "Jouvert Morning" and "Calypso Lament" were composed. Artists like the pianist Adrian Clarke became popular during the 60s as well.

As the sugar industry developed into the main commercial enterprise, Barbados was divided into large plantation estates which replace the small holdings of the early British settlers. Some of the displaced farmers relocated to British colonies in North America, most notably South Carolina. To work the plantations, slaves were brought from Africa; the slave trade ceased a few years before the abolition of slavery throughout the British empire in 1834.

Barbados is divided into eleven parishes: Christ Church, Saint Andrew, Saint George, Saint James, Saint John, Saint Joseph, Saint Lucy, Saint Michael, Saint Peter, Saint Philip, and Saint Thomas.

Citizens are officially called Barbadian, however residents of Barbados colloquially refer to themselves or the products of the country as "Bajan". The term "Bajan", may have come from a localized pronunciation of the word Barbadian which at times can sound more like "Bar-bajan". The term Barbadian, is used less frequently than is "Bajan".

Following independence in 1966, Barbadian calypso became more popular, especially the white band The Merrymen, known for songs like "Brudda Neddy" and "Millie Gone to Brazil". Jackie Opel, a Barbaian singer, also arose, playing a blend of calypso and reggae that evolved into spouge music. Spouge was immensely popular in Barbados from about 1969 to 1973. In 1974, the Crop Over Festival was revived, featuring calypso competitions; as a result, calypso's popularity grew, rapidly overshadowing spouge and other genres, with only dub music achieving equal stature.

With the slave population approaching three times the white population, many slave owners feared revolts. This led to the Slave Consolidation Act in 1826, which reaffirmed the ban on drums and horns. Christian missionaries also discouraged the performance of African music, which pushed the field underground, where it was passed through secret societies and rituals.

Traditional trading partners include: Canada, the Caribbean Community (especially Trinidad and Tobago), the United Kingdom, and the United States.

Progress toward more democratic government for Barbados was made in 1951, when universal adult suffrage was introduced. This was followed by steps toward increased self-government, and in 1961, Barbados achieved internal autonomy.

The government continues its efforts to reduce unemployment, encourage direct foreign investment, and privatise remaining state-owned enterprises. Unemployment has been reduced from high levels of around 14% in the past to only under 10%.

Beginning in about the 1940s, when the Crop Over Festival was cancelled due to the decline of the sugarcane industry, Barbados has seen the influx of popular music from other countries, including the United States, United Kingdom, Jamaica and Cuba.

The smaller of the two events is the Congaline Festival, which takes place during the last week of March. The Crop Over Carnival which includes various musical competitions, and other traditional activities usually kicks into high gear from the beginning of July, and ends in its entirety during the first week of August.